Techniques

  • Practice,  Techniques

    Ritual Technologies: Light and Beauty

    Imagine being in a cathedral. The hush, the dim light from stained glass windows and flickering candles, the faint scent of incense. The faint sound, perhaps, of sacred music through the profound silence. The architecture that sends the eye reaching up, up, to barely discernible vaults. Massive columns, larger-than-life statues of saints. Which, in turns, make the viewer feel small, insignificant by comparison to the soaring magnificence surrounding her. That’s sacred space. The mind cannot help but to downshift into Present, liminal consciousness. Into the Ritual State, which is also known as “trance”. These factors are not accidental. They were learned, over countless years, by those who meant for those who entered…

  • Practice,  Techniques

    Ritual Technologies: Sing!

    If there is one human sense more than any other that really drills down beneath the thinking mind and evokes feelings, memories, longings, it would be the sense of smell. Olfactory cues go to the most primitive parts of our brains, and are remarkably powerful in snapping us back to powerful feelings and moments long past. Unfortunately, the experience of scent is passive, rather than expressive. While we have receptors for tremendously subtle combinations of chemical cues, we are not able to express ourselves in kind. The second-most powerful sense in terms of emotional impact, however, is sound—particularly, music. Music has the capacity to transport us, to evoke a wide range of…

  • Practice,  Techniques,  Liturgy

    Music for Atheopagan Ritual Use

    The music below was recommended by members of the Atheopagan Facebook group for use in Atheopagan rituals. Particularly in solitary rituals (when, obviously, having live accompaniment isn’t possible), the addition of a musical “soundtrack” can be tremendously powerful. Also listed are some sources for chants which can be used in group rituals—singing is one of the most powerful ways to bring people together and build the sense of energy in a ritual! This list will grow as new music is suggested. Adiemus (Karl Jenkins): The Journey Anonymous4: Many disks of this a cappella women’s medieval music ensemble could work well for ritual; I prefer 11,000 Virgins: Chants for the Feast of St. Ursula by…

  • Practice,  Techniques

    Atheopagan Ritual: Gratitude and Benediction

    This is one of a series of articles about creating Atheopagan rituals. They expand on the Atheopagan Ritual Primer, to which they will be added after the whole series has been published online. The previous articles in the series are Arrival, Qualities and Intentions, and Deep Play. There are also some notes on proper settings for rituals (and why we do them) here. Gratitude When the Deep Play is done, it is time to express Gratitude. Gratitude is such a key element of a happy life that even when our rituals are to assuage fear or sorrow, we must always remember the many gifts with which we are showered by the Cosmos…

  • Practice,  Techniques

    Atheopagan Ritual: Working or “Deep Play”

    This is the third in a series of articles about creating Atheopagan rituals. They expand on the Atheopagan Ritual Primer, to which they will be added after the whole series has been published online. The ritual structure outlined in the Primer is: Arrival, Qualities, (Intention), Working or “Deep Play”, Gratitude and Benediction. This article focuses on the third phase: Working or Deep Play. The Working is the “meat” of the ritual–it can be the hardest phase to write about, because it can be nearly anything. It can be free-form dancing with spontaneously offered chant, song, spoken word, and music, or line or spiral dancing; it can be laying of hands on an ailing celebrant; it can…

  • Practice,  Techniques

    Atheopagan Ritual: Invoking Qualities and Intentions

    This is one of a series of articles about creating Atheopagan rituals. They expand on the Atheopagan Ritual Primer, to which they will be added after the whole series has been published online. The ritual structure outlined in the Primer is: Arrival, Qualities, (Intention), Deep Play, Gratitude, and Benediction. This article focuses on the second and optional third phases: Invocation of Qualities and Declaration(s) of Intentions. 1) QUALITIES “Calling the Qualities” is often just that: A designated celebrant encourages the circle to call out the Qualities they would like to be a part of the circle, and celebrants call them out (examples: the Ancestors; Compassion; Grief; Courage; Adventure, Strength, Health, Wisdom). It is more effective if,…